Hic Et Nunc Art - A Community's Digital Canvas

There's a fascinating story about how a creative group came together on Tezos, a digital platform. It really just grew naturally, you know, with the arrival of the first big online spot for art on Tezos, called hic et nunc, back in March of 2021. This was a place where people could share and collect unique digital pieces, and it truly changed things for many.

Through places like Twitter and other social spaces, creators who make art and those who gather it have really found their stride and flourished all over the world. It’s quite something, actually, to see how connections formed and how this group of folks just expanded, building something special together. This kind of organic growth, it’s more or less rare to witness in such a quick timeframe, making the narrative of hic et nunc art particularly compelling.

The journey of this particular art movement, and the platform that housed it, tells a tale of innovation, community spirit, and the sometimes unpredictable path of new digital ventures. It’s a story that touches on the hopes of many artists and collectors, and, in a way, it shows how quickly things can change in the digital creative world, still leaving a mark.

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Table of Contents

• The Genesis of a Digital Art Space - hic et nunc art
• How Did This Community Begin - The Early Days of hic et nunc art?
• What Ideas Shaped hic et nunc art?
• Why Was Transparency So Important for hic et nunc art?
• The Unexpected Halt - What Happened to hic et nunc art?
• Where Did the Community Go After hic et nunc art?
• Broader Connections - hic et nunc art and the Art World
• How Does hic et nunc art Relate to Global Art Conversations?

The Genesis of a Digital Art Space - hic et nunc art

The very start of a thriving group of artists and collectors on Tezos was, in fact, quite spontaneous. It wasn't planned out from the top down, but rather it just sort of happened when the first spot to trade digital art on Tezos, called hic et nunc, came into being in the spring of 2021. This platform gave people a way to show off their creations and find pieces they wanted to own, and it really sparked something. It was, you know, a moment where everything just clicked for a lot of people looking for a new creative outlet.

This digital art scene, which centered around hic et nunc art, grew in a truly organic fashion. People discovered it, shared it, and told their friends, and pretty soon, a network formed. It was almost like a digital garden, where seeds were planted, and they just started to sprout and spread. The connections made through social media played a big part, helping artists and collectors find each other, no matter where they lived. This kind of grassroots expansion is, like, pretty special to observe.

Before this specific digital art space came into being, there were already artists making their mark in other ways. For instance, an artist named Koshino had been showing their work in various art displays since 2014, across places like Brazil, Japan, different parts of Europe, and even the United States. This shows that the interest in art, and the desire to share it, was already present, just waiting for a new kind of venue to truly flourish. So, the ground was, in a way, already fertile for something like hic et nunc art to take root.

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How Did This Community Begin - The Early Days of hic et nunc art?

The early days of this art group were really about people finding each other. It wasn't some big marketing push; it was more about individuals connecting through social media sites, particularly Twitter. Artists would share their work, and collectors would discover it, and then they'd talk about it, creating a buzz. This natural spread of information and enthusiasm helped the group grow and truly flourish across the entire world, which is quite something, actually.

This method of growth, where people just found their way to the platform and started participating, gave the hic et nunc art community a very distinct feel. It felt like a place built by and for the people who used it, rather than a top-down creation. This kind of bottom-up development fostered a sense of shared ownership and passion, making it a very welcoming space for new people to join in. You know, it was a pretty open and friendly atmosphere, which really helped it take off.

The quickness with which this community took hold shows how much people were looking for a place like this. It was a spot where digital creations could be valued, where artists could find a fresh audience, and where collectors could find pieces that resonated with them. The fact that it happened so quickly, just through word of mouth and digital sharing, is a testament to the need it filled. It’s almost as if the timing was just right for hic et nunc art to appear.

What Ideas Shaped hic et nunc art?

The thinking behind hic et nunc art was deeply rooted in some interesting concepts, going beyond just making digital pictures. There's a particular interview, for example, where the person behind hic et nunc discusses these ideas in much greater detail. This talk happened at a Brazilian gathering called Homeostasis Lab, and it really sheds light on the foundational thoughts that guided the platform's creation. It’s pretty clear, actually, that there was a lot of careful thought put into it.

In that conversation, the creator's background as someone who studies how societies work becomes much clearer. They talk about more academic notions, like Walter Benjamin's thoughts on how art is copied and what that means for its original presence. It’s quite interesting to consider how the very name "hic et nunc" – which means "here and now" – connects directly to Benjamin's writings on the unique quality of a work of art in its specific time and place. So, the name itself, you know, has a deeper philosophical meaning for hic et nunc art.

The creator of hic et nunc was especially keen on certain aspects of blockchain technology. They were really drawn to the idea that blockchain could make things uncensorable, meaning no one could stop the art from being seen or the information about it from being shared. They also liked the idea of it being completely open and clear, so everyone could see what was happening. These qualities, they felt, had a lot of promise, not just for art, but for how groups of people could make decisions together. It was, apparently, a very big part of their vision for hic et nunc art.

Why Was Transparency So Important for hic et nunc art?

The desire for things to be open and clear was a very big deal for the people who built hic et nunc art. Imagine a system where every transaction, every piece of art, and its ownership could be seen by anyone, without hidden steps or secret dealings. This kind of openness builds trust, which is pretty vital for any community, especially one dealing with valuable creative works. It means everyone can verify what's happening, which, you know, cuts down on doubts.

This commitment to being uncensorable meant that artists could share their work without fear of it being taken down or blocked by some central authority. For many creators, especially those who might work on controversial or boundary-pushing topics, this freedom is extremely valuable. It gives them a sense of security that their voice won't be silenced, and their art will remain accessible to the public. That freedom, in a way, was a core promise of hic et nunc art.

Beyond just art, the creator was also interested in how these qualities of blockchain – being uncensorable and transparent – could be used for how groups of people make decisions. Think about it: if every vote or every decision could be openly seen and verified, it could change how communities govern themselves. This shows that the vision for hic et nunc art was larger than just a place to buy and sell pictures; it was about building a new kind of digital public space, in some respects.

The Unexpected Halt - What Happened to hic et nunc art?

Then, quite suddenly, the main place for digital art, hic et nunc, just vanished. One week, it was there, a buzzing spot for artists and collectors, and the next, its website was gone. This came as a surprise to many who had grown to rely on it. It was, frankly, a bit of a shock for the whole community that had gathered around hic et nunc art.

The official word on what happened was very brief. The platform's Twitter account simply stated that the service had been "discontinued." There wasn't a long explanation or a detailed farewell message, which left many people wondering what had truly occurred. This sudden quietness after such a lively presence was, in fact, quite jarring for those involved with hic et nunc art.

According to an artist named Joanie, this abrupt stop left many people in the community feeling uncertain and looking for answers. When something that has become such a central part of a community's daily life just disappears without much warning, it creates a void. People had invested their time, their creative energy, and their resources into this space, and its sudden absence was a big deal. So, the feeling was, you know, one of unexpected loss for the hic et nunc art scene.

Where Did the Community Go After hic et nunc art?

Even though hic et nunc itself disappeared, the community that had formed around it didn't just fade away. People who had found each other through the platform still wanted to create and collect, and they still believed in the ideas of open, community-driven art. So, they basically took matters into their own hands, which is pretty cool, actually.

A new platform called Teia.art came into being as a direct continuation of the spirit of hic et nunc. It's essentially a copy, or "fork," of the original Tezos digital art spot. This means that the community itself, made up of artists, collectors, and even people who are good with computers, took on the job of building and keeping the new platform running. It's a real example of how a group can rally together when something important is lost. Teia.art truly carries on the legacy of hic et nunc art.

This move to create Teia.art shows the strength and determination of the people who were part of the original hic et nunc art movement. They didn't just wait for someone else to fix things; they actively worked to rebuild and maintain a space that reflected their shared values. It’s a testament to the power of a community that truly cares about its shared purpose, and it means the ideas that shaped hic et nunc art continue to live on.

Broader Connections - hic et nunc art and the Art World

The story of hic et nunc art isn't just about a single digital platform; it's part of a much bigger conversation happening in the art world. It connects to how art is made, shared, and seen in our current times, particularly with the rise of digital tools and new ways of thinking about ownership and access. There are, you know, many threads that tie this story to the wider art landscape.

For example, the presence of Koshino, an artist who has been showing work in traditional art displays across different parts of the world since 2014, shows a bridge between established art practices and these newer digital forms. It suggests that artists are exploring all kinds of avenues to share their creations, whether it's in a gallery in Brazil or on a digital platform accessible from anywhere. This kind of cross-pollination is, arguably, quite common in the art world today.

The philosophical ideas that were important to hic et nunc, like Benjamin's thoughts on art and its reproduction, are not new. These are concepts that art thinkers have considered for a long time. The difference here is how these deep ideas were applied to a brand new digital setting, using blockchain technology to explore what it means for art to be unique or widely available in the digital space. It’s a very interesting way, actually, to revisit old questions with new tools, for hic et nunc art.

How Does hic et nunc art Relate to Global Art Conversations?

The experiences of hic et nunc art and its community fit right into bigger discussions happening globally about what art is and how it should be presented. For instance, the Documenta 15 exhibition, a major international art event, and the Indonesian art group ruangrupa, are pushing for a fresh perspective on art. They are promoting ideas that are very much in line with the community-driven, accessible approach that hic et nunc art represented. This shows that the ideas were, in some respects, already in the air.

The focus on collective action and community involvement, seen in how Teia.art emerged from the original hic et nunc art community, mirrors what groups like ruangrupa advocate for. They believe in art that is not just for a select few, but something that is created and experienced together, often with a social purpose. This kind of shared creation and ownership is a significant shift from older models of art, and hic et nunc art was, you know, a part of that movement.

The principles of being open and resistant to control, which were so important to the creator of hic et nunc, are also part of these wider art conversations. Artists and art institutions are increasingly thinking about how to make art more accessible, how to protect artistic freedom, and how to create systems that are fair for everyone involved. So, in a way, hic et nunc art was a real-world example of these principles being put into practice, and its story continues to be relevant for those discussions, pretty much.